The John Tree
War Child
I think I woke up on the wrong side of the bed today. Because as much as I enjoyed the Irish Times interview, this one really drove me nuts. Maybe it's time for to me to face up to the fact that my favorite band and I are moving in different directions. I've just never been so consistently frustrated with them like I am right now.
I even think "tolerated hanging out at the back of the birthday party" is a bridge too far. You are no longer 'cool' at all, Bono. You are, somehow, simultaneously regarded as a rock n' roll legend...but now you hold the same 'cool factor' as Creed or Nickelback (themselves outdated references). It's time to leave the kid's party altogether, Bono. Throw a dinner party with some adults.
I love how even Edge recognizes that this has been a consistent line of Bono's for 20 years now. Bono - you do not do guitar rock well. You've been trying since 2002 and it almost always comes out half-baked and try-hard. It's lame. Trust us. Garage rock was in full swing in 2001/2002 and you guys went into the studio and cooked up...All Because Of You. It's not your forte.
This was the most disheartening part of the interview to me. I also think I'm at a crossroads with the band over what makes a great song. Bono often speaks about songwriting as a foreign concept to U2, something they've only recently started to learn - as if *he hasn't written numerous classic songs himself.* You are a good songwriter, Bono! It's maddening. I get it - he respects the *craft* of songwriting. But if a song is only mediocre, or doesn't connect emotionally, or just sounds bland - who cares if it was put together correctly? James Hetfield of Metallica gave an interview a few years ago where he said that Metallica's instinct now is to fight *against* the craft:
"We know how to take an okay song and make it good. But the question lately has been, 'Do we have the discipline to dismiss an average song and say it's not on the record? Do we know when something is not good enough?' We used to have that discipline early on. And I attribute that to having blinders on — that fuckin' attitude that says, 'Fuck that, it's not heavy enough to put on the album.' In the Nineties we tried to embrace everything and Bob Rock was good at helping us do that. Each time we did, we opened our eyes a little more, but the discipline kind of went away. We became craftsmen instead of destructors."
I think U2 has been at this point for a while now.
"It's awesome - but we're not putting it out because we think people want U2 to turn up the gain on the amps, when there's been absolutely no evidence to support that." This is so frustrating.
...and nevermind. 'Rubber Soul' U2 isn't my favorite. And hearing Bono go on and on about songwriting, in the same interview where he associated the term with Tedder, is discouraging to me.
Uh, almost. Not quite.
...aka "we tried following our artistic muse and it didn't sell as well because the world had changed drastically in the preceding 5 years, specifically with regards to how music was consumed...but never mind that. Also, we got cold feet during the making of the record and fell back on our usual bag of tricks to try and get it on to radio, instead of following our artistic instinct, pissing off the producer and longtime creative collaborator that helped us create almost every single one of our creative highlights in the process.
I dunno man. Bring on the 'rock' album, I guess.
I know now that with youth culture I am kind of tolerated hanging out at the back of the birthday party but the magic show’s going on down here for the kids. I wished to connect with the pop charts over the last two albums and failed. But the songwriting got really good.
I even think "tolerated hanging out at the back of the birthday party" is a bridge too far. You are no longer 'cool' at all, Bono. You are, somehow, simultaneously regarded as a rock n' roll legend...but now you hold the same 'cool factor' as Creed or Nickelback (themselves outdated references). It's time to leave the kid's party altogether, Bono. Throw a dinner party with some adults.
So right now I want to write the most unforgiving, obnoxious, defiant, [expletive]-off-to-the-pop-charts rock ’n’ roll song that we’ve ever made. I spoke to Edge about it this week. He’s going, “Is it that call again?” “What call?” “The one about we’re going to write the big [expletive]-off rock song?” And I say, “Yeah, it’s our job!” We can make songs famous now, but I don’t think U2 can make them hits.
I love how even Edge recognizes that this has been a consistent line of Bono's for 20 years now. Bono - you do not do guitar rock well. You've been trying since 2002 and it almost always comes out half-baked and try-hard. It's lame. Trust us. Garage rock was in full swing in 2001/2002 and you guys went into the studio and cooked up...All Because Of You. It's not your forte.
We’re students of songwriting. We don’t mind if we’re humiliated to find a great song. These song-driven people we worked with on our last albums know a lot about songs. You say, “But you’re U2 — you don’t need that.” What’s interesting is that we want that.
This was the most disheartening part of the interview to me. I also think I'm at a crossroads with the band over what makes a great song. Bono often speaks about songwriting as a foreign concept to U2, something they've only recently started to learn - as if *he hasn't written numerous classic songs himself.* You are a good songwriter, Bono! It's maddening. I get it - he respects the *craft* of songwriting. But if a song is only mediocre, or doesn't connect emotionally, or just sounds bland - who cares if it was put together correctly? James Hetfield of Metallica gave an interview a few years ago where he said that Metallica's instinct now is to fight *against* the craft:
"We know how to take an okay song and make it good. But the question lately has been, 'Do we have the discipline to dismiss an average song and say it's not on the record? Do we know when something is not good enough?' We used to have that discipline early on. And I attribute that to having blinders on — that fuckin' attitude that says, 'Fuck that, it's not heavy enough to put on the album.' In the Nineties we tried to embrace everything and Bob Rock was good at helping us do that. Each time we did, we opened our eyes a little more, but the discipline kind of went away. We became craftsmen instead of destructors."
I think U2 has been at this point for a while now.
We have almost finished this album called “Songs of Ascent,” which we’re not putting out. We’re going to put out a rock ’n’ roll album. So we’re not putting this out, but I’m telling you it’s awesome
"It's awesome - but we're not putting it out because we think people want U2 to turn up the gain on the amps, when there's been absolutely no evidence to support that." This is so frustrating.
It’s a ridiculous pop sort of “Rubber Soul,” isn’t it? Do they sound like U2 songs? But the songwriting is there, you see.
...and nevermind. 'Rubber Soul' U2 isn't my favorite. And hearing Bono go on and on about songwriting, in the same interview where he associated the term with Tedder, is discouraging to me.
Well, “No Line on the Horizon” comes after those. Sonically it’s quite an experimental album — and songwriting-wise.
Uh, almost. Not quite.
he progressive-rock virus gets in, and we needed a vaccine. The discipline of our songwriting, the thing that made U2 — top-line melody, clear thoughts — had gone. With the band, I was like, this is not what we do, and we can only do that experimental stuff if we have the songwriting chops. So we went to songwriting school, and we’re back and we’re good! Over those two albums, “Songs of Innocence” and “Experience,” our songwriting returned.
...aka "we tried following our artistic muse and it didn't sell as well because the world had changed drastically in the preceding 5 years, specifically with regards to how music was consumed...but never mind that. Also, we got cold feet during the making of the record and fell back on our usual bag of tricks to try and get it on to radio, instead of following our artistic instinct, pissing off the producer and longtime creative collaborator that helped us create almost every single one of our creative highlights in the process.
I dunno man. Bring on the 'rock' album, I guess.