I wonder what @U2SJ thinks about the song finally seeing some sort of official release
Hanging out with the Marcus King Band last night actually beats the Mercy release.One could say that finally getting the song makes you... the luckiest man I the world
I want to ride my bicycleThis is going to sound snarky but I truly don't mean it to be, but here we go anyways...
So if I hear correctly - Bono's modern day platitude style of writing is cool provided that you like the song?
I always put Mercy at #5 and moved COBL back one slot. Awesome little combo.Yahweh for me as well. In my custom version I have Mercy just before it, and Fast Cars is mixed in.
Yeeeeah I guess? But one thing to consider is that the streaming market has made things a bit different. Take one of my favorite bands, Biffy Clyro. One of their "bonus" tracks a few albums ago has been referred to as the final song on the album by the band several times, so while I agree about Fast Cars and TGBHF, the conversation has more grey area than it used to have.Anyone thinking Fast Cars and TGBHF are the official last songs of their respective albums needs to have their head examined.
There's a simple litmus test: if there were versions in wide release in a fair number of countries where the song wasn't included, it's safe to say it's not part of the album proper.
In Japan, Australia, Ireland and the UK, "The Ground Beneath Her Feet" (3:44) is a bonus track at the end.
"Fast Cars" is a bonus track on the Japan, UK and Ireland CD edition
Only 3-4 markets that had this version? And the USA doesn't? Sorry, but that doesn't cut it.
This is a good and proper response
This is a good and proper response
Demand expectations would certainly explain the very limited US marketsThere's no way the demand for Oasis will be as big in the US.
I think this is less about what happened in the UK and more that they know demand won't nearly be the same, so might as well stick to standard pricing and get what they can.
Man, I can't disagree more with this part. I think the "ripping the stiches" pre-chorus is one of the best parts of the song, and getting rid of it was one of the biggest mistakes they made with the 360 version. And I don't think I'm alone in thinking that.This is where it starts to go off the rails for me though. The drop in octave in the pre chorus. I hate it. It would be better if that part was cut, or if Bono tried singing it in the same octave as the verse and chorus. It takes me out of the "epicness" of the song. Or, even better, just have an instrumental there. No words.
And maybe the reason why I liked this version better is immediately evident - the drop in octave, ripping the stitches part is gone. As is feeeeeeeeel nothing. Thank god.
If they can keep the meandering, Bad-like qualities but fix the pre chorus and the nails on a chalk board feeeeeeeeeeeeeeeeeeereel nothing? This song could actually be worth the hype it's always received.
Well, Fast Cars and TGBHF aren't exactly the same, because Fast Cars WAS on the deluxe version of the album here in the states, which TGBHF never was until the 20th anniversary release.Anyone thinking Fast Cars and TGBHF are the official last songs of their respective albums needs to have their head examined.
There's a simple litmus test: if there were versions in wide release in a fair number of countries where the song wasn't included, it's safe to say it's not part of the album proper.
In Japan, Australia, Ireland and the UK, "The Ground Beneath Her Feet" (3:44) is a bonus track at the end.
"Fast Cars" is a bonus track on the Japan, UK and Ireland CD edition
Only 3-4 markets that had this version? And the USA doesn't? Sorry, but that doesn't cut it.
I agree, but these days the waters are muddied, arguably through revisionist history of the anniversary tracklisting, but also streaming can be weird and bad at labeling. Just checked Spotify and HTDAAB has Fast Cars as the last track with no mention of "bonus" (non-anniversary ATYCLB does not have GBHF, for now at least).Anyone thinking Fast Cars and TGBHF are the official last songs of their respective albums needs to have their head examined.
There's a simple litmus test: if there were versions in wide release in a fair number of countries where the song wasn't included, it's safe to say it's not part of the album proper.
In Japan, Australia, Ireland and the UK, "The Ground Beneath Her Feet" (3:44) is a bonus track at the end.
"Fast Cars" is a bonus track on the Japan, UK and Ireland CD edition
Only 3-4 markets that had this version? And the USA doesn't? Sorry, but that doesn't cut it.
Obviously they're different mediums, so this isn't a perfect analogy, but I liken it to DVD extras. I can pop a special edition DVD in of The Godfather that has deleted scenes on it. But those deleted scenes aren't part of the 'official' film.Yeeeeah I guess? But one thing to consider is that the streaming market has made things a bit different. Take one of my favorite bands, Biffy Clyro. One of their "bonus" tracks a few albums ago has been referred to as the final song on the album by the band several times, so while I agree about Fast Cars and TGBHF, the conversation has more grey area than it used to have.
Well, you can suck my arse because I consider Yahweh to be the last song of Hutdab but Ground Beneath Her Feet to be the last song of Attyclub.Anyone thinking Fast Cars and TGBHF are the official last songs of their respective albums needs to have their head examined.
There's a simple litmus test: if there were versions in wide release in a fair number of countries where the song wasn't included, it's safe to say it's not part of the album proper.
In Japan, Australia, Ireland and the UK, "The Ground Beneath Her Feet" (3:44) is a bonus track at the end.
"Fast Cars" is a bonus track on the Japan, UK and Ireland CD edition
Only 3-4 markets that had this version? And the USA doesn't? Sorry, but that doesn't cut it.
This is a good and proper response