The prospect of launching their album via a Super Bowl commercial is pretty lame. Sorry, not commercial... synergistic brand relationship. Seriously, U2 need a fucking sponsor? They're Ufucking2! They're not some indie band that needs a commercial so they can pay the bills, nor do they need help getting exposure.
I'll say it again: they're U2. I'll say it in a way they might understand: they are a brand, and corporate sponsorship sullies their brand.
They want to be relevant, they want to be cool, and their planning on launching their album with a commercial. Not very cool, boys.
I wonder which product their new album is designed to enhance the experience of.
let's be honest here, it's not 1993 anymore. we're truly idiots if we think that U2 - or any other artist - will do anything but go big.
it's how the industry must operate - whether we like it or not. "OH BUT DAVID BOWIE..." - yeah, Bowie sold maybe a half-million copies of The Next Day, and had no plans to tour.
The U2 album is going to get a major push. Why? Not because U2 need it to, but because Mercury/Universal/Live Nation/the Industry need it to be massive. It'll get a major push
because it's "Ufucking2" and because they're one of the last hopes of a dinosaur industry. live with it.. it's what you signed up for when you bought the Joshua Tree and climbed aboard this world-straddling train.
might it be a bad thing? sure. extremely relevant food for thought:
Lady Gaga's artRave: The Beginning of the End of the Extravagant Album Launch? | The Pitch | Pitchfork
elaborate album rollouts are nothing new... And labels and bands have been staging stunts since time immemorial. But 2013 has seen such a high concentration of gimmicks, treasure hunts, and "mysteries" that it's hard to imagine how this can all be sustainable—especially considering the fact that revenue streams for musicians are drying up exponentially with each passing day...
In an interview with The Hollywood Reporter about Arcade Fire’s labyrinthine Reflektor campaign, the band's manager Scott Rodger said, "We're in an information overload, but just to be recognized you have to be more creative and do things in a way that people will talk about socially—online but also in the physical world. How do you become one of those things that people talk about?"
but here's the thing - it might be ok in the end! really!
rather than the predictable whining, high-on-horse lecturing about about How U2 Should Do Things the Way I Want Them To, we need to seriously shut the F up and just wait.
because it's a simple as this: if the album is great, none of this will matter.
Not the new management, not the Super Bowl, not the 15 nights on Leno, not the tax BS, not the One campaign, not the inflatable Bono heads in the Macy's parade. none will matter if we can put our headphones on, press play, and lose ourselves for 40+ minutes. What will 3 months of uber promotion matter in retrospect?
The pressure on U2 right now is to deliver great music. that's what really matters; all the rest is wrapping paper. accept it..
recognize it for what it is, but accept it because it's "Ufucking2" - a fucking huge band, who have a fucking huge fan base, in a position no other band is fucking close to, with fucking reams of money tied up in their fate.
wooooooooo!